I love my tap class.
Though I'm no brilliant hoofer, I've danced enough to know the huge difference between rehearsing and dancing.
In rehearsal, everyone looks the same. We're all trying to learn the moves, and doing our best to ape the teacher's technique.
When people really dance, they all look different. Each person's body is knit together in a unique way, and those differences in shape, strength, and size cause each dancer's motion to take on a certain character.
Gene Kelly, for example, was well known for his masculine style of dance. Broad-shouldered and deep-chested, he did not look like a typical dancer. His gifts in choreography allowed him to design dances that showcased his unique way of moving.
When I look around our tap class, I notice the various ways people move.
One may be still at the rehearsal-only stage. She is acquiring skills and growing acccustomed to the way her body works. She can't yet dance, but that's OK. One day she will.
Another has more dance in her background. She is small and perfectly balanced. When she dances, she is very composed and always precise.
A third woman is taller and has the gift of strength in her back--I can see it just by watching her. As a result, her posture is great and she conveys a regal dignity. Physically, she's the Nancy Kerrigan of our class.
In our tap class tonight, our fifth lesson of the autumn, I realized that thus far, I've been worrying too much about making myself move like Mr. Leonard.
I'm not going to move like him. He's a man. He has no hips. :-)
When I move, I need to move like me.
In tonight's class, we rehearsed our combo several times. I saw in the mirror that my body finally remembered what it felt like to DANCE. And when that happened, I looked different. My body relaxed so it could show the joy of motion as it appears through my own odd assortment of physical strengths and weaknesses.
I love to watch dancers show their unique ways of moving.
I love to see writers show their unique ways of writing. I love to see a writer's work move past the rehearsal stage and into the dance.
When that happens, fiction reminds us that it's not all about craft. Sometimes, it's about art.
When I use the dread word "art," I don't mean it in an exclusive, highbrow way. I've read lots of popular fiction that was artistic and joyful. Hey, I write popular fiction. If I didn't think it could be artistically satisfying, I wouldn't do it.
Does anyone have any nominations for popular fiction that you think transcends the workmanlike "craft" of consumable fiction and moves into a more artistic realm? You don't even have to say why, though I'd love to hear that too! J. K. Rowling, for example, is not a poetic stylist, but I think the first two Harry Potter novels have artistic merit because of her explosive creativity.
I'll name a couple more I like:
C. S. Forester's Horatio Hornblower nautical adventures, for characterization
Khalid Hosseini's
A Thousand Splendid Suns, for characterization and setting
How about you?